To me, the simplest way to utilise abstracting is to find the “essence” of the concept or idea at hand. From there, we can expand on that essence during the creative process. I wrote in the previous entry that I wrote out my fanfic and then planned the fanmix by abstracting the essence of the fic and its individual scenes, and then proceeded to create the fanwork in two mediums. So I thought of the concept first and then abstracted with it. However, upon further reflection, and looking over my fanmix notes, I think I am slowly remembering the opposite — I may have actually planned out the actual fanmix and its scenes, and then wrote the fic! (Of which, I am entirely not sure of since it’s been years since I’ve planned and completed this work . . . )
Which then leads to another revelation about abstracting — it’s something that can be done in any order, and the end creative work results in an infinite number of possibilities. For an example, going back to my fanfic and fanmix, I came up with a scene/song called “The Strife” where it deals with Ron Weasley and Draco Malfoy in class, debating over a literary work with Dark Moor’s “Winter, Movement I” as the background song. Whether I write the scene first or plan the song and scene first, I could have ended up with something different where the “strife” could have been a boxing match, or perhaps it could have been a literary discussion at a pub, or maybe even a strife that ends with sexual activity. And why limit the scene to just that song? There are thousands of other songs in our world that could fit the atmosphere and the mood of the scene, being another instrumental or a song with lyrics that adds more to the scene.
All of these possible outcomes . . . is what draws people to fanworks. Fanworks provide an opportunity for amateur creators to seek out the possibility of different options in any medium of their choice. As long as the creator understands or seeks to understand what they are creating, they can utilise abstracting along with re-imaging and patterning mixed with their own perception of the subject matter. And I did all that in my fanfic and fanmix. My knowledge of classical music, English literature, class differences (via the military ranking system on the base I work at), digital art — all combined with some of my favourite tropes (like “Deadpan Snarker“) — contributed to this fanwork. Another example to consider are those fanworks that deal with serious issues like sexuality, mental illnesses, death of loved ones . . . fans write stories focusing on these tough subject matter, and in order to tell the story, they’d have to abstract through their feelings and understandings of tough “wordless” concepts to find the right word, pictures, art to tell their story.
Abstracting, to me, is not an easy thing to do always. Some days, ideas come to me as fast as the speed of light. Other times, like with this fanmix and fanfic, I’d spend days planning and trying to figure out the essence, the main point of the work. Abstracting may not be easy, but it is an important tool to use in a creative process, a tool that can be used in the arts, maths, and sciences, and help contribute new ways of thinking in our world.